Last time when I wrote about my Zenit 3M, I could not show any sample photos as the shutter was very slow and ran uneven. It was the case only until I have found a neat little article Zenit E: Shutter Curtain Repairs with repair tips. I […]
The second half of the Fuji Superia 400 in the Yashica had been shot during a wonderful family trip at the south of Austria. We have picked an easy trail close to Arnfels this time but one packed with nice scenery and experiences. We have […]
To follow up the previous post where the focus was on the retro stylish look of the Yashica TL Super, here are some of the shoots out the roll which was in the very same camera. All of these photos have been taken during our last visit to […]
We were on a family visit at my father a few weeks back from now. As usual we had a great food and many things to talk about. Also as usual I have spotted something in his garden. A stack of beautify worn wooden boxes many of which had navy green painting and interesting signs on their sides. I was staring them for a brief moment with my suspicious look (I practice a lot in the mirror). I was immediately considering all possible combinations and alignments of them in relation to the direction of light and possible angles of framing. I must have had a look on my face of a hardcore Stanley Kubrick when he discovers a perfect massive monolith in his fathers’s backyard after a long night watching Space Odyssey. I asked if I could use them as background for a few shoots and also about their origin and current use.
As it turned out these were military ammunition boxes originally, but now they are used to store and transport machine parts new and used alike. This meant that there were plenty of scratches, oil marks and shiny metal particles all over them which made them even more exciting to me. At this time they were all empty so I could use them how I wanted. I always have a camera with me and because my Leica was in service I was revisiting old friends from the shelf. That day my bag hosted my lovely Yashica TL Super paired with the mighty 80mm Pancolar. This lens is a sole reason why I still have an M42 mount camera and this Yashica is a great match indeed.
Anyways, I took a few shoots about the Yashica and a series about my father’s Mometta II and I thought they are worthwhile to feature them on the blog. If you would like to read my Yashica TL Super review, you can find it here. These shoots were all taken hand held with my wife’s Sony NEX 6 and I had no softbox or any reflectors with me. Luckily the weather was overcast and overall I am happy with the results. I am curious thought what will I find during the next family visit and if I should better prepare myself with a complete studio setup :-).
Since then I finished the film in the Yashica as well as from the Zenit3M I used recently. The Leica is also back now and I am looking forward to try it. In any case when the film comes back from the lab and I find some time to scan and edit, I will show the results from this kit as well.
Two friends with the same passion to photography, both using rangefinder cameras almost indistinguishable from the distance. The cameras are matched with fast 50mm lenses from the same brand and color.
Sounds like these photographers or at least their choice of gear are quite the same. While this statement is true to some degree, there are significant differences. In fact there are more differences than the obvious technological dissimilarity between the capturing media used by the cameras (llford Delta 100 film in the Leica M2, Kodak CCD sensor in the M9).
Ramón uses a digital Leica M9 P which of course captures color information and renders in a very unique way. Many including himself claims that under ideal circumstances the CCD sensor in this camera creates much more pleasing results than other sensors used in other digital cameras with the same sensor size. This is a topic can be argued for a long time, but at the end of the day it is his subjective view and his decision to use a rangefinder with this sensor.
At the same time I was using a classic Leica M2 with black and white film. Even though the output of the digital camera is also appealing, the analog workflow is still favorable to me. It is partly because I enjoy the process of creating the image in this old fashioned way, but also I can achieve the film look what I am looking for much more naturally.
My primary lens is a Zeiss Sonnar f/1.5 which I love for many reasons but mainly because of it’s bokeh. Ramón has a Planar f/2 from the same ZM series, although I believe this is not his standard lens. Both lenses are fast 50mm primes, yet they are quite different. The Plannar is reliably excellent lens, which can be praised for it’s great sharpness and generally beautiful bokeh.
The Sonnar is a bit more hectic with the potential of surprises both in positive and negative ways. This lens can be bit soft wide open, but the bokeh is just phenomenal most of the time and from f/2 sharpness is already more than enough to me. The Sonnar has a bad reputation of focus shifting which is change of the focus plane when adjusting aperture. I personally don’t have any issues focusing with this lens. We switched lenses for the day, so we could experiment and see the differences. At the end of the day we enjoyed using these lenses, they both performed well on digital sensor and on film.
Also note that we use the cameras with different style. One of us covers only 1 eye with the viewfinder and keeps the other eye free open while the other covers his entire face with the camera and thus limited with single eye framing. Naturally this difference can be explained by the magnification used on the viewfinders, but it is also hugely a personal preference.
The great similarities and the differences between the cameras and lenses made me wonder can be photographers categorized at all by the type of gear they use? I guess the answer is controversially yes and no. Surely we use the same style of camera with the same focal length. This would put us into a technical category of normal lens rangefinder shooters. But even if we would use the exact same gear we would end up different results which we would have achieved in different ways. I think the most distinguishing feature in the photography of 2 individuals is not within their camera, but behind of it.
Eszter, Leica M2 , Carl Zeiss Plannar 50mm f/2 ZM, Ilford Delta 100, Rodinal 1+50, 20°C, 8 min