Pajtás is a simple box camera made in Hungary in the 50’s/60’s and as you would suggest this was not a high-end piece of technology even at those times.
Normally I seek for perfection in photography and related equipment and I try to write about cameras here which are capable to produce respectable results or at least represent fine craftsmanship. The Pajtás is far from prefect in any of the aspects of build and image quality, therefore it was not particularly exciting for me until now. So why do I yet write about this camera and most importantly why should you read this review, knowing that I will probably conclude that this camera is crappy but lovely at the same time?
My first and probably strongest reason is that this camera is one of the not too many which were made in my homeland and therefore holds a significant value for me. It also means that this camera is not as well known outside of my region so unless you live in Hungary or nearby, there is a pretty good chance that you have never heard of it.
On the other hand the Pajtás could be interesting for those who like history of photography or history in general because of several reasons. First of all this camera features an Achromat lens which can give us an insight into the dawn of photography as the very first dagerotype cameras had lenses with similar construction. In other words the images taken through the lens of this box machine can show us a little bit of the taste of the character of the photographs that were taken centuries ago.
In addition this camera is an iconic relic of industrial design from a not too distant, yet completely different era where the market was driven by strange forces. These were among the toughest years of socialism in Hungary. Production was planned in 5 years cycles and there was literally nothing that was impossible to sell. In these times this camera was the affordable and available option for almost a generation.
Through these glasses we might see this camera a little different and at least for me it is special to hold and even better shoot with it.
All in all if you are interested in history, strange unique cameras, or even Lomography than this article is for you.
As always I try to collect as accurate information about the history of a camera as possible, but it is possible that I state something wrong. If I did, please send me an e-mail or leave a comment. Corrections are always welcome.
The members of the young pioneer organization were called Pajtás in the socialist Hungary. It was the equivalent of the word comrade for young people. Oddly I had no idea about this meaning of this word until I started to read about this camera. But it has to be said that I was born in 80’s when socialism was already quite melded in Hungary.
As the name suggest, the camera was intended for a young audience and it was extremely successful. It was affordable, reliable and most importantly available, so many had received a Pajtás as present for various occasions such as graduation.
The camera was made between 1955-1966 by Gamma although the emblem has changed to FFV from 1960. FFV stands for Fővárosi Finommechanikai Vállalat (Metropolitan Works for Precision). Interestingly Gamma is still an existing company, even though they don’t manufacture cameras any more.
The designer was János Barabás (1900-1973) who was mainly responsible for lens design at Gamma and we can thank him for many great lenses used by Hungarian cameras.
The price of the camera in 1964 was 160 HUF and it was possible to buy a leather case for an additional 45 HUF. 
Pajtás data sheet
- Type Box camera
- Country Hungary
- Company Gamma, FFV
- Designed by János Barabás 
- Production dates 1955-1966
- Quantity 100.000 aprox
- Film type 120 type roll film
- Lens Built in Achromat f/8
- Apertures f/8, f/11, f/16
- Shutter speeds 1/30s, Bulb
- Focus fixed
- Body material Bakelite
- Weight 395g
Construction and operation
The camera is almost as simple as possible. It is made of Bakelite which allowed to mass produce it on a low price.
The back can be removed completely in order to access the film compartment and it is kept in place by it’s shape only. It looks like a flimsy solution, but it actually works well. On the other hand, if you don’t mind to use some tape, you can secure the back of the camera after you loaded the film.
The back has another nice feature, a little red window which keeps us informed about the number of the actual frame. Basically the back of the film (in fact the covering paper) is visible through this window, so you can see the printed numbers on the paper. While this is a robust solution, it is advisable to cover this window most of the time, especially if you use higher sensitivity film.
The film can be advanced by a knob at the top of the camera while you have to keep an eye on the frame counter window. There is no other way to determine how much you need to advance the film but to look at the window. This mechanism also makes it easy to take multiple exposure or overlapping shoots.
The shutter release is a simple column and a rotating switch around it with two positions. The red dot means locked and obviously the white mark indicates that the shutter is free to press.
Since it is not possible to focus with this camera, the viewfinder is rather simple. It contains a lens for correct framing, but this is not a great pleasure to use. It is bright enough, but considerably blurry to my eyes.
To be fair, this viewfinder does the job just well enough. It gives you some approximation about what will be on your photograph and if your subject is not too close the parallax error is not significant.
There is only 2 shutter speeds available M (Moment) 1/30 sec and T (Time) which stands for bulb. There is a better offering in aperture settings though you can select f/8, f/11 and f/16 options. Both the shutter speed and the aperture settings can be selected with dedicated dials on the front plane of the camera right below the lens.
All apertures are completely rounded and as far as I can see (without disassembling the camera) it is done by a metal plate with 2 holes on it. When the maximum f/8 aperture is selected, the plate is completely off the way, but as you turn the switch for selecting smaller apertures the appropriate hole slides into place behind the lens.
The leather case is pretty nice, it protects the camera very well. In the meantime it has a hole on the back to read the frame-counter without dismounting the camera. My only concern is that you cannot separate the front part of the case (covering the lens), so you cannot use it as a half case.
The lens is an 80mm f/8 Achromat manufactured by MOM (Hungarian Optical Works). It is a classical landscape lens consisting of 2 elements: a positive crown and a negative flint element.
The lens which was designed and manufactured by Charles Chevalier for Daguerre was an achromatic landscape lens in the 1830s. Although that lens was different from the one that can be found in the Pajtás, the basic concept is the same. The achromatic lens wasa huge step, because for the first time it corrected some of the main aberrations which can be found in an optical system.
An achromatic lens or achromat is a lens that is designed to limit the effects of chromatic and spherical aberration. Achromatic lenses are corrected to bring two wavelengths (typically red and blue) into focus in the same plane.
These lenses are typically featuring low apertures because the rays entering the lens far from it’s axis need to be cut off by the stop in order to maintain image quality.
The lens used in the Pajtás camera gives no big surprises. It is focused to the hyperfocal distance so everything on the photo from some near distance will be sharp. It is also supported by the relatively small aperture, that is why depth of field is quite big.
The lens looks coated as I can see some purple cast on it when the light is appropriate. In general it is not too prone to flare. Of course there are not many elements in the lens so there are not many surfaces to bounce and reflect on. On the other hand the interior of the camera is highly reflective so flocking could probably improve image quality and contrast.
Image quality and sample shoots
As you would expect, the image quality is not at all amazing. It is decent from a camera like this and I have to admit there is some charm of the strong character. Sure, most of the effects produced by the lens can be mocked by clever applications on any smart phone, but that is not the same. You must know that you work with a high random factor when you shoot with this camera.
So far I shot only 1 roll of Lomo Lady Gray 400 film with this camera as the first trial. In general an ISO 400 film is probably too fast for this low shutter speed, but since winter is coming and we are having many dark days it was a good choice. I have some Hungarian Forte Supercolor 100 film in my refrigerator (expired in 1995) which could be a stylish combination with this camera.
The lens is sharpish in the center, but blurs everything off around the edges. It sometimes even creates the impression of shallow depth of field, but this is not the case.
Distortion is apparent, but I couldn’t hold the camera perfectly perpendicular against the staircase and my scanner is also not the best in keeping the film flat. Anyhow, I think that the geometrical distortion is not the biggest issue compromising image quality here.
The numbers and circle signs on this shot (almost all shots have some) belong to the back of the covering paper of the film. I am not sure how they managed to get to the photos, but they did. If anyone has any idea, I would be happy to read it in the comments.
Also there are signs of light leaks on almost all of my shots. This most likely happened, because the camera does not seal light perfectly. I am seriously considering to use some black tape next time I put film into my Pajtás.
This frame was partially overlapped because of my fault. I have not transferred the film correctly.
There is no flash connection on this camera, so in theory you cannot use flash with it. On the other hand 1/30 of a second is slow enough to fire flash manually at the right time. But probably the best strategy is to shoot in bulb mode in very low light or in complete darkness and fire the flash while you keep the shutter release pressed. I have done some successful experiment with the latter technique so I can recommend giving it a try.
Conclusion and recommendations
The Pajtás is not a rare camera, it is extremely cheap and just as light to carry. It is extremely easy to use as well. I believe it is even able to produce nice images in good hands.
Because of the simple construction there is literally nothing which could break in it. It is relatively safe to pick one with good cosmetics as it is almost certain that it will work properly. Eventually this is not the camera we would expect completely accurate shutter speed from.
My only concern is the back which is a bit flimsy to me, but it can be secured by some black tape. And of course the Bakelite body is very rigid and therefore fragile, so it is advisable not to drop it.
If you like box cameras and the imperfection of the images they produce, or you are a fan of retro design, then this camera could be a good choice for you.
- Fotosuli.hu Hungarian box cameras
- Retropages Hungarian cameras
- Emigración Vasca Superb Pajtás article
- 720.hu An imaginary advert of the Pajtás camera 3D concept
- Members.ozemail.com.au Nice Pajtás review
- Westfordcomp.com Another Pajtás article with wonderful samples
- Pajtás materials on Tumblr Samples and loading video
- Flickr pool Highly recommended
- Flickr group
- Camerapedia Pajtás
- Achromatic lens Wikipedia
- Papp Ádám’s blogStylish Pajtás shoot
- Kalapos.blogspot.co.at Pajtás in hand
- Lomography.com Pajtás samples
- Fortepan Fantastic collection of old photographs
Big thanks to Ivan for the English proof reading!